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Hello there...

I'm Fitz. I'm a doctoral student in English at Northeastern University interested in Literary Journalism—particularly its nineteenth century origins—and Digital Humanities. I'm also a freelance journalist and web developer. This site is home to a blog, links to some of my publications, and my CV. Thanks for stopping by. Read more...

  • What Made the Front Page in the 19th Century?: Computationally Classifying Genre in 'Viral Texts'

    The following is a lightly revised version of the text of a talk I gave at the 2016 Keystone Digital Humanities Conference, held at the University of Pittsburgh. I’m grateful to have had the opportunity to present and for the helpful feedback I received there.

    I’m happy to be with you today on behalf of the Viral Texts Project, a project of the NULab for Texts, Maps, and Networks at Northeastern University. The Viral Texts Project was initiated by Professors Ryan Cordell and David Smith as a way to computationally discover reprinted texts in nineteenth century newspapers.

  • Don't Be a Tool

    When I began my work with the Viral Texts Project, I was tasked with coming up with a computational way to assign genres to our texts. It seems foolish to admit now, a year into the project, that back then I imagined a kind of “one-click” solution. I believed my own elevator pitch explanation of the work, that I could show a few examples of each genre to the computer, and then send it off on its way to find me the rest. It has not been that easy.

  • A “Stunning” Love Letter to Viral Texts: A “sublimely splendiferous” foray into nineteenth century newspapers

    On this day, 147 years ago, Volume 15, Number 10 of The Raftsman’s Journal was published in Clearfield, Pennsylvania. Among the stories featured on its front page were a short work of fiction called “The Dashford Tragedy”; a vignette titled “Who Ate Roger Williams”; a poem, “Marjorie’s Almanac”; and “A ‘stunning’ Love Letter,” described by the editor—hyperbolically, though not inaccurately—as “sublimely ‘spendiferous.’” More on the love letter in a moment.

  • Acting In and On Space and Place: A Reflection on Dr. Angel David Nieves’ Recent NULab Lecture

    “Black matters are spatial matters,” writes Katherine McKittrick in the introduction to her 2006 book Demonic Grounds: Black Women and the Cartographies of Struggle. McKittrick acknowledges that all people “produce, know, and negotiate space,” but “geographies in the diaspora are accentuated by racist paradigms of the past and their ongoing hierarchical patterns.” Her project, she writes, is not to provide “a corrective story” or to embark on any kind of discovery, but rather to “suggest that space and place give black lives meaning in a world that has, for the most part, incorrectly deemed black populations and their attendant geographies as ‘ungeographic’ and/or philosophically undeveloped.”

  • The InstaEssay Archive: Past, Present, and Future

    Note: I will be presenting a more formalized version of this work at the Keystone DH conference at Penn this summer, and the purpose of this post is to show a work in progress. Already in the hours since posting it, I've heard from some of the authors discussed here that there may be some problems with my data and/or analysis. Most glaringly, an unescaped character is breaking my Instagram scraper for the user @ruddyroye and thus his full body of work is not represented. I will be correcting this ASAP, and I'm grateful to Ruddy Roye for pointing this out. 

  • Re-Presenting Early Modern Pattern Poems as Material Objects

    The following is excerpted from a paper I gave at Making, Unmaking, and Remaking the Early Modern Era: 1500-1800, 14th Annual EMC Conference at UCSB in February. For this project, I used 3D printers and laser cutters to re-mediate Early Modern pattern poems as physical objects. For the TL;DR version, scroll down to the bottom to see pictures.

  • The Internet Will Not Save Us -- But Maybe it can Help Us Fix Peer-Review

    There was a time when I thought the internet could save us all. It was probably somewhere in the middle of the 2000s. There was a sense then, as Web 2.0 emerged, that the great democratization of data had finally arrived and that by nature of everything being open and shareable and social and free, many of the problems we’d been saddled with because of traditional media would suddenly disappear.

  • Instagram Essay Introduction

    In recent months, a number of writers and photographers have begun to utilize Instagram beyond its common use as an application that enables the creation, stylizing, and sharing of personal photographs to a particular group of friends and acquaintances, and rather as a journalistic tool. In particular, writers like Jeff Sharlet and photographers like Neil Shea have paired their photos with short narratives, constrained to 2200 characters by Instagram’s caption limit. The effect is similar to that of “Flash Fiction”—short, impactful self-contained stories—except that these stories are true and paired with a photograph of the subject.

  • Graphing with Gephi

    The following PDF is a visual representation of my Facebook network. I completed this just after class last week as my first experiment with Gephi in an effort, simply, to get some data into the software and see what I could do with it. But, creating this graph had an additional benefit of showing me, in a way that I was having trouble imagining, the ways in which being able to graph a network can make things that may have been hidden, visible.

  • Pragmatic Tinkering, or Against Truthiness

    On October 17, 2005, the world was reintroduced to Stephen Colbert, who had previously been a correspondent on “The Daily Show with Jon Stewart,” via his own show, “The Colbert Report.” But, that evening the world was also introduced to a word that would go on to be named “Word of the Year” by the American Dialect Society and Merriam-Webster, “truthiness.” Colbert used the term to highlight a distinction between “those who think with their heads and those who know with their hearts.”

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